The title Oriental Hawaii (1982) suggests an adult film aiming to blend the exotic appeal of two distinct cultural aesthetics: East Asian (“Oriental,” a term dated but common in titles of the era) and Polynesian (Hawaiian). The narrative likely takes place in a setting designed to evoke Hawaii, possibly featuring characters of Asian descent or incorporating elements associated with East Asian cultures into the Hawaiian backdrop. This fusion serves as the thematic basis for the film’s erotic content. The plot might involve tourists visiting Hawaii, locals interacting with newcomers, or perhaps a story incorporating martial arts, spiritual practices, or other stereotypes associated with “Oriental” themes, all leading to sexual encounters. Released in 1982, Oriental Hawaii likely capitalized on the era’s fascination with exotic locations and cultures as settings for adult fantasies. The film would focus on visual elements – tropical scenery, costuming – to enhance the atmosphere, while delivering the expected explicit scenes framed within this culturally blended, albeit likely stereotypical, narrative.
A couple, their two daughters and two sons go on a vacation. The daughters decide to explore each other, two Asian beauties offer to service everyone and dad has a dream about family orgy which disturbs him much more than it does mom.
