SexWorld, released in 1977 but often referenced with its 1978 theatrical impact, is widely regarded as a classic of the Golden Age of Porn and one of the most ambitious adult films of its time. The “Theatrical” designation usually emphasizes the original, feature-length version intended for cinema release. Directed by Anthony Spinelli (a common pseudonym used by several people, but often associated with Samuel Weston for this film, though Buck Henry also had rumored involvement in scripting), SexWorld is a direct and intelligent parody of the 1973 science fiction film Westworld. It cleverly adapts the concept of a futuristic theme park with androids to the realm of sexual fantasy fulfillment.
The plot centers around a high-tech, exclusive resort called SexWorld, where wealthy clients can live out their wildest sexual fantasies with incredibly lifelike androids programmed to cater to their every desire. The film follows several guests as they arrive and engage with the android hosts and hostesses in various scenarios. However, mirroring the plot of Westworld, something goes wrong with the androids’ programming. They begin to malfunction, deviate from their scripts, and potentially develop their own desires or turn against the guests, leading to chaos and danger within the seemingly perfect fantasy environment. This narrative structure allowed for both extensive explicit scenes (the fantasies) and a layer of science fiction suspense.
SexWorld boasted relatively high production values for an adult film of its era, including elaborate sets for the futuristic resort and efforts towards character development among both the human guests and the androids. It featured an all-star cast of Golden Age performers, including Annette Haven, Lesllie Bovee, Sharon Thorpe, Kent Larson, Desiree Cousteau, and John Leslie. The film was praised for its clever concept, witty script (rumored to have uncredited contributions from mainstream writers), and its successful blending of science fiction parody with hardcore content. SexWorld is frequently cited by historians and critics of the genre as a high point of the Golden Age, demonstrating the potential for narrative complexity and creativity within adult filmmaking. Its theatrical release marked it as a significant event in the adult cinema landscape of the late 1970s.
